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Maybe we do and maybe we don’t. In my experience as a teacher,
more often than not people don’t stay with it. For some, the
cycle repeats and repeats. Because we can’t keep the thing
going, we begin to judge ourselves failures at writing, our self-esteem
goes the way of our tossed out pages, and after a while, it becomes
more and more difficult to begin again. This is heartbreaking. Because
we are writers and when we aren’t being fully and wholly ourselves
— when a piece of ourselves is missing — we can never
feel at home in the world or at peace within ourselves. Writing
is who we are. Not all of who we are, but enough of who we are that
when we’re not writing, we’re not whole.
Claim Yourself As Writer
Until you name yourself Writer, you will never be a writer who writes
(and keeps writing).
Most writers I know, especially those who have not published, say,
“I want to be a writer.” Or “I’m a [fill
in the blank] and I like to write.” Or “I’ve always
dreamed of being a writer.” But they don’t actually
call themselves a writer. Think of all the other names you give
yourself: man/woman, mother/father, wife/husband, friend, teacher,
technician, masseuse, lawyer, gardener, chef. We take each of these
names as a way of identifying ourselves, both to others and to ourselves.
We
are what we say we are. In some cultures, new names are assumed
when character-evolving events take place. These names indicate
the person has been transformed. If you announce you are a writer,
rather than simply mouthing that you want to be or you’d like
to be, you may be transformed. Try it. Right now. Speak your name
out loud followed by, “I’m a writer.” Let yourself
experience the sensations you feel when you sound out the words.
“But I haven’t been published yet,” you might
say, as if this were the thing that would give you the right to
call yourself writer. After all, when you tell people you’re
a writer, don’t they always ask, “Oh, and what have
you published?”
Listen to this: Being published doesn’t have anything to do
with being a writer! It has to do with earning money as a writer.
Maybe. Getting some kind of validation and recognition, perhaps
notoriety and fame. Though truth be told, the majority of published
writers don’t earn all that much money or notoriety or fame.
We might say, to be published is to be published is to be published.
To be sure, getting published is the aim of many of us. After all,
we write to communicate, and having an audience is the flip side
of the communication coin. But it is not the reason we write. We
write because it is what we must do. Anne Sexton said, “When
I am writing I am doing the thing I was meant to do.
”
Besides, once we are published, this doesn’t mean we will
stop writing. We will continue to write. This is what writers do.
I have this vision of me at my writing table, a fat roll of butcher’s
paper at one end and a take-up reel with a crank at the other end.
The paper just keeps passing beneath my pen and I just keep writing.
As the old joke goes, “Old writers never die, they just keep
revising the ending.”
How do you claim yourself as writer?
First, say it. “I’m a writer.” Say it out loud.
Say it to yourself in the mirror. Say it to your friends and family.
Say it to the next person you meet at a party who asks, “What
do you do?” Say it to a stranger in line at the grocery store.
Say it to your mother. Mostly, say it to yourself. “I’m
a writer.”
• Make a place for your writing, a sacred place where you
go with joy as your companion, not dread or guilt or “shoulds”
riding your shoulders like weights of sand. If you don’t already
have a room or specific place, make one. Take up a whole room or
a section of a room. Before she created her own studio, my friend
Wendy used a screen to separate her writing place from the rest
of the living room. If the only space you can free up for your writing
is part of a table, sometimes, when you’re not eating on it,
then make it a special place. When you go there for your writing,
bring along a candle or lamp or some flowers, anything that transforms
the space from the quotidian to the unique. Make it important and
make it yours however you can. Claim the space.
• Get the tools you need. Honor your writing with the kind
of paper or notebook you like; buy your favorite pens by the box
or spend a bundle on that Waterman or Mont Blanc you’ve always
wanted. Have a computer that belongs to you — not one you
have to share — and a good printer. It’s amazing what
just printing out your writing using a laser jet printer will do
to make it look — and you feel — professional. Get a
good dictionary, thesaurus, and stylebook. Find books on the craft
and subscribe to writing journals.
• Hang out with other writers. Go to readings and book signings,
open mikes. Communicate with other writers. Drop a note to someone
whose book you admire and tell them (not in a gushy, fan magazine
kind of way, but as one writer to another). Sign up for workshops
and conferences. Get in a group.
• Read as a writer. Learn from the best. Study your favorite
authors, and copy passages into your notebook to get the feel of
their rhythm and style. Deconstruct their sentences, paragraphs,
scenes, and chapters to discover their techniques and their secrets.
Read the work aloud and discuss the books with your writer friends.
Next to the act of writing itself, reading good writing will be
your best teacher.
Make Time to Write
The second thing you must do to be a writer who writes is make the
time to write. This is where many would-be writers fall short. Unless
you make the time to write, you’ll never write. Extra time
won’t just show up, and if you promise to do your writing
“as soon as...” you’ll never get to it. Take it
from one who knows. For the better part of twenty-five years, I
was a writer who would write “as soon as...”; I had
more stops and starts in my writing career than a local train. It
wasn’t until I actually set aside writing time on a regular
basis that I became a writer who writes.
Make an appointment with your writing self, write it down in your
calendar: 2:00 p.m. Monday: Write; 3:30 p.m. Tuesday: Write; 9:15
a.m. Wednesday: Write; and so forth.
Find a time that fits you. Don’t set aside two hours if you
can only do thirty minutes. Don’t set your alarm for 5:30
in the morning if you always resist getting up and hate the mornings.
You may come to resent your writing as much as you resent the alarm
clock. By the same token, don’t say you’ll do it at
night after everything else is done if, by 8:30, you’re supine
on the couch and can’t keep your eyes open. Find a time that
works for you. Take half your lunch hour. Do it right after work.
Get up half an hour earlier. If you have the flexibility to make
your own schedule, set aside time during the workday.
In my classes I listen to the complaints of students who say they
just don’t have time to write, then I ask for a show of hands
of those who watch television on a regular basis or those who surf
the Web. When the rows of hands waving in the air look like an Iowa
cornfield in August, I ask again, “Who can’t find the
time to write?” Sheepish grins and embarrassed giggles. Write
instead of watching TV, instead of surfing the Web, instead of spending
an hour or more reading the newspaper, instead of going out with
friends. You have to give up something. Even if it’s only
leisure time in front of the tube.
Note: don’t give up taking walks or witnessing sunsets.
You may have always heard that if you want to be a writer, you have
to write every day. This is not an absolute rule. Few rules are.
To be successful (i.e., a writer who writes), you do have to write
several times a week — at least four or five sessions, and
every day is best. Pulitzer Prize-winning author Michael Chabon
swears by his 10 p.m. to 4 a.m. Sunday-Thursday routine. Part of
it is the daily habit of it and part of it is the continuity. The
writing will come easier with regular practice, too. You get better
at something you do often. Mick Jagger said, “You have to
sing every day so you can build up to being, you know, Amazingly
Brilliant.”
In a New Yorker (January 28, 2002) article titled “The Learning
Curve — How Do You Become a Good Surgeon? Practice,”
Atul Gawande related the importance of practice. In writing about
elite performers, he said, “[T]he most important talent may
be the talent for practice itself.” He referred to K. Anders
Ericsson, a psychologist, who noted that “the most important
role that innate factors play may be in a person’s willingness
to engage in sustained training.”
Like exercise or losing weight or taking a class, sometimes it’s
a whole lot easier to do it with a supportive companion. Make a
date with a friend for writing. If you can’t get together
in person, make a phone call or e-mail one another to say, “I
wrote today” or “I’m going to write at 6:30 this
evening,” or “How’d the writing go today?”
Waiting for inspiration to descend before you write is like waiting
for Godot. Interminable. It’s been said that if you show up
at your page at the agreed upon time, inspiration will know where
to find you. Someone else said, “Writing is 20 percent inspiration
and 80 percent perspiration.” Besides, if writing is your
daily practice, you won’t need inspiration to get to it. Imagine
waiting for inspiration to rest her shining arms around you before
you take the dog for a walk or drive to work.
Write
Finally, the third leg in the triangle of being a writer who writes
is, of course, doing the thing. Talking about writing isn’t
writing. Thinking about writing isn’t writing. Dreaming or
fantasizing isn’t writing. Neither are outlining, researching,
or making notes. All these may be a part of the whole milieu of
the writing life and necessary to getting a project completed, but
only writing is writing.
“You can’t sit around thinking,” said fiction
writer David Long. “You must sit around writing.”
So every day, at the appointed time (or at some spontaneous gift
of time), you sit at your desk (or your table in the café
or on the grass in the park), you open your notebook or you boot
up your computer, and you write.
Do this every day and I will guarantee you, you will fill notebook
after notebook, you will begin and complete stories, essays, narrative
nonfiction — whatever you want to write. You will have bits
and pieces and wild, imaginative ramblings. You will be a Writer
Who Writes.
by
Judy Reeves
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